TANK 展览｜“艺术的朋友” 中国新世代收藏家群展

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上海油罐艺术中心欣然宣布启动大型展览“艺术的朋友”，将围绕当今活跃的中国当代艺术收藏家及/或其机构，呈现它们丰富多元的收藏面貌与自发自觉的艺术愿景。

2018年“艺术赞助人”展览现场

乔空间

油罐艺术中心曾于2018年在乔空间组织了中国当代收藏家展览“艺术赞助人”，邀请了36位拥有榜样力量的中国收藏家共同参与，通过他们的收藏呈现他们对中国当代艺术的贡献。当时艺术赞助人作为文化群体在中国的涌现尚未受到密切关注，该展览率先打开并链接了这一议题的各个维度，创造了一个对话交流的平台。“艺术赞助人”展览的策划背景是由整个后奥运时代所促动的“全球观”及其呼吁的文化视野，而时隔6年之后再次围绕该群体发起展览“艺术的朋友”则是为了反映在大时代变化下，中国新世代收藏家如何针对艺术本身，展开更自主而深刻的行动与实践。

“艺术赞助人”展览现场嘉宾

柏林新国家艺术美术馆馆长Klaus Biesenbach

“艺术赞助人”主题讲座与讨论

TATE收藏部负责人Gregor Muir

“艺术的朋友”将由常驻上海的写作者与策展人袁佳维担当策划。她本科毕业于复旦大学文物与博物馆学系，后就读于伦敦大学考陶德艺术学院，获艺术史硕士学位，以及建筑联盟学院，获历史与批判思维专业硕士学位。

“艺术的朋友”展览项目将于油罐艺术中心呈现

“艺术的朋友”将于2023年7月在上海油罐艺术中心呈现，特别在此召集全球各地的中国新世代收藏家，共建一个更广泛且更有联系的艺术世界。

联系方式：

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策展人介绍

向上滑动阅览

袁佳维是常驻上海的写作者与策展人。她本科毕业于复旦大学文物与博物馆学系，后就读于伦敦大学考陶德艺术学院，获艺术史硕士学位，以及建筑联盟学院，获历史与批判思维专业硕士学位。曾为Artforum中文网、《艺术当代》（ArtChina）、《艺术界》（LEAP）等媒体撰写文章。策划群展包括“海上丹迪”（东画廊，上海，2017年）、“坚决提高非生产性建筑的标准”（东画廊，上海，2018年）、“迅疾传播：僵尸、多重生命与幸存者之爱”（totalab，上海，2022年）、“坚决复习非生产性建筑的标准（上辑：固态模具；下辑：液态循环）”（长征独立空间，北京，2022–23年）、“缠缠缠绕——卡罗尔·波维（Carol Bove）、胡晓媛、阿丽佳·柯维德（Alicja Kwade）”（Longlati基金会，上海，2023年）等。目前研究兴趣涉及当代艺术的建筑媒介、（后）现代空间观念、边界美学及地理政治学相关。她自2021年起兼任Longlati基金会写作者收藏委员会（上海）主任与客席策展人，带领团队策划艺术家个展包括“马秋莎：汝肤之境/镜”（2022年）、“劳瑞·普罗沃斯特（Laure Prouvost）：园林剧场与人类世的怪物寓言”（2022年）等，并于2022年与艺术家—策展人冯骏原在上海共同创办了拥有独立空间的策展事务所totalab。

In English:

Friends in the Arts: Exhibition of Chinese Collectors’ New Contemporaries

TANK Shanghai is pleased to announce the launch of the large-scale exhibition "Friends in the Arts” which will focus on currently active Chinese collectors of contemporary art, featuring their rich and diverse outlooks in their collection, as well as their spontaneous and conscious artistic visions.

In 2018, TANK Shanghai organized the exhibition “Art Patrons,” an exhibition of Chinese contemporary collectors, at Qiao Space, and invited 36 exemplary Chinese collectors and featured their contributions to Chinese contemporary art by sorting out their collections. The emergence of art patrons as a cultural group in China had not received close attention back then, and this exhibition took the lead in launching and linking various dimensions of this subject, creating a platform for dialogues and exchanges. The background for the organization of the exhibition “Art Patrons” was set in the “global view” in the post-2008 Olympic era and the cultural vision that it advocated.  Six years later, however, it is with the aim of reflecting how the new generation of Chinese collectors carry out more independent and profound actions and practices for art itself under the great changes of the era.

"Friends in the Arts” will be curated by Shanghai-based writer and curator Evonne Jiawei Yuan. She graduated from Fudan University with B.A. in Museology, The Courtauld Institute of Art, University of London with M.A. in History of Art, and the Architectural Association School of Architecture with M.A. in History & Critical Thinking.

"Friends in the Arts” will be presented at TANK Shanghai in July 2023 to gather the new generation of Chinese collectors from all over the world to build, collectively, a broader and more connected art world.

For more information, 

please contact:  [e-mail]

ABOUT THE CURATOR

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Evonne Jiawei Yuan is a writer and curator based in Shanghai. She graduated from Fudan University with B.A. in Museology, The Courtauld Institute of Art, University of London with M.A. in History of Art, and the Architectural Association School of Architecture with M.A. in History & Critical Thinking. Recent curations include “Shanghai Dandy” (Don Gallery, Shanghai, 2017), “Steadfastly Raise the Standards in Nonproductive Construction” (Don Gallery, Shanghai, 2018), “Going Viral: Zombies, Pluribiosis, and Love of the Living Dead” (totalab, Shanghai, 2022), “Steadfastly Revise For the Standards in Nonproductive Construction (Part I: Solid Molds; Part II: Liquid Circulates)” (Long March Independent Space, Beijing, 2022–23), “Entangled, Ensnared, Entwined – Carol Bove, Hu Xiaoyuan, Alicja Kwade” (Longlati Foundation, Shanghai, 2023), etc. Contributing articles also featured in artforum.com.cn, ArtChina, LEAP, etc. Current research interests include the architectural media in-and-of contemporary art, (post)modern spatial concepts, border aesthetics and its geopolitics. She has been Guest Curator of Longlati Foundation and Head of its Writers’ Acquisition Committee (Shanghai) since 2021, producing solo exhibitions “Ma Qiusha: The Mirror(-scape) of Your Skin” (2022), “Laure Prouvost: Theatergarden and A Be(a)stiary of the Anthropocene” (2022), etc. In 2022, she co-founds totalab, an independent curatorial office and art space in Shanghai with artist-curator Julian Junyuan Feng.

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